Papers from Drawing International Brisbane (DIB) 2015 now published

Click bellow to access the papers online.

・EGO・

GALI WEISS: FLUID TEMPORALITIES: DRAWING AS MOVING IMAGE
TRISTAN SCHULTZ: COGNITIVE REDIRECTIVE MAPPING
KIRSTEN PERRY: TRACING THE LINE OF SIGHT
JOSHUA NASH: DRAWN NAMES
LYNDAL HORDACRE KOBAYASHI: DRAWING ON THE THINKING PROCES
JEREMY SMITH: THE UNCHARTED LAND
PIYALI GHOSH: DRAWING, EGO, SELF
KAY S LAWRENCE: THE BODY AS DRAWING INSTRUMENT IN FEMINIST ART PRACTICE

・ARTEFACT・

SUE QUINN: IMAGINING ALTERNATIVE REALITIES
CHRIS MCAULIFFE: ENACTING MODERN SPECTATORSHIP
DENA ASHBOLT: CINEMATIC DRAWING – WHAT MIGHT THAT BE?
SIMON MEE: ON HOW THE VIAGRA OF THE CONTEMPORARY CAN INFLATE THE FLACCID REMNANTS OF THE PAST
HANNAH QUINLIVAN: RHYTHM ANALYSIS AND CONTEMPORARY ABSTRACT DRAWING
JONATHAN MCBURNIE: PERVASIVE ALIENATION: THE SUBVERSIVE DRAWINGS OF RAYMOND PETTIBON
JAMES NOVAK: DRAWING THE PEN
PATRICK SHIRVINGTON: PHENOMENOLOGY: DRAWN FROM
JUSTIN GARNSWORTHY: HYPER DRAWING WITH BLU-TACK AS “INSTRUMENT”, FLATBED SCANNER AS “SURFACE” AND
PHOTOSHOP AS “MANIPULATION TOOL”

・ARENA・

KELLIE O’DEMPSEY: DRAWING ON PERFORMANCE
ROCHELLE HALEY: DRAWING THE IMMATERIAL OBJECT OF DANCE
JENNIFER ANDREWS: MARKS OF DEPICTION
BILL PLATZ: A MALFUNCTION OF LIFE DRAWING
BENJAMIN SHEPPARD: FOR THE FUN OF IT
MARYANNE COURTTS: DRESS AND DEATH
MARGARET ROBERTS: BLUEPRINT: A PLAN TO PRODUCE A WALL
AMBROSE REISCH:  ENTROPY AND POETIC VULNERABILITY
SARA MANSER: DRAWING AS ARTEFACT: THE MARK AS SURFACE

・ARTIST PRESENTATIONS・

NICCI HAYNES: DRAWING, PERFORMANCE AND LANGUAGE
DAVID NIXON: BEING
CAITY REYNOLDS: HOW TO USE SPECIOUS REASONING TO EXPLAIN ALMOST ANYTHING
SVETLANA TREFILOVA: SPONTANEOUS DRAWING FROM A CONTEMPORARY ARTIST’S PERSPECTIVE
NICOLA HOOPER: ZOONOSES
CAROLYN MCKENZIE-CRAIG: GRAPHESIS — INSTRUMENT AND LI(N)E
JUDE ROBERTS: LAND WRITING (WIPING)

Find out more >>